I just made a muxtape.

And actually, I turned 19 in 1992, but “19 in 1991″ made better copy. In any event, 1991 was a pretty influential year. I graduated high school and started college at CMU. Back then, music was a scarce resource. Not just music, but information about new music was fairly scarce as well. We read magazines, listened to the radio, and watched MTV to learn about new music. CDs were expensive, imports from Japan or the UK were $40 and locked behind glass cases in record stores. Despite all that, it was a great time to be in college, just for the music. Freshman year in college, you could size up a person with one simple question, “so, what do you listen to?” (If you needed a second opinion, you could also look at their shoes.)

We were also transitioning from cassette tapes to CDs, analogue to digital. (Vinyl is a whole other story.)

Back in the era of cassette tapes, I made a pretty damn good mixtape, complete with of course carefully chosen songs, but also, witty titles and cover made from cut up magazines. I also made mix CDs, but it wasn’t the same.

In 1991, I made a mix tape for my sister, who was still in high school. I filled it with “college music,” precisely keeping track of the song lengths to maximize the 90 minute tape. I also had to physically borrow music from new friends in my dorm. The whole process now seems antiquated, in the post-Napster world.

A couple of months ago, muxtape launched. You can upload a mix tape, or what the kids called playlists. I must say, muxtape is impressive. I am not sure of the legal issues, but the system is smart enough to automatically link your songs to amazon.com to buy the mp3. I finally got around to making a mix tape, two months everyone else seems to have.

The theme is 1991, although just like the title, I took some liberties. So, the mix tape is more early 1990s than strictly 1991, but I really tried to stick to music that I was really into and frequently listening to, which as you can see was mostly 4AD, brit pop, with a bit of grunge, and a lot of Pixies influenced music. As I said, the early 90s were a great time to be in college. I left out the bands, I “should” have been listening, at the time, but got into late. I think that goes back to the scarcity issue. The tracks include lesser known gems from familiar voices, one hit wonders, and early singles from bands before they really hit it big. I’ll leave it up to you to decide which ones fall into which category.

Enjoy, and I wonder if my sister still has that tape…

I’m not watching the various dancing reality shows (just not my thing,) although, a lot of people seem to be. However, here are two music videos that feature some breath taking dancing.

Many, if not most, music videos have dancing. Duffy and Gnarls Barkley both just take it another level, in completely different ways. Mercy, by Duffy, has dancers, gliding as if on ice, demonstrating the epitome of smooth. Going On is manic and jittery, like someone moved by the Holy Spirit. I could both of these video multiple times in a row. Oh… wait, I already did.

I guess Spring is really here. I can’t seem to focus on writing up any “big” ideas, but I am definitely finding inspiring things everywhere, which definitely feels like a Spring attitude. Now, that I’ve said this… I will throw out that idea that, since we all know that MTV doesn’t play music videos anymore, we must be thankful for youtube. Online video isn’t just a substitute, but an improvement on watching music vids. On-demand video sharing is a much more effective model for distributing music videos, which in the end have their beginnings as advertisements for the music, like trailers for movies.

Scaffolding in ubiquitous in New York, which is always under construction. On 57th and Madison, the facade of the Nokia Flagstore gets a face lift. It, along with neighboring stores, Yves Saint Laurent and Burberry, have scaffolding that matches the store colors. At first, I thought, is this too much? I don’t think so, it serves the function of helping to maintain the store’s presence during the construction. What I like is that it shows a little more thought and intention, where there is usually none.

I was walking in Chelsea last Sunday, and approached one of Verizon’s buildings. I wondered if there where any remnants of Saul Bass‘ classic Ma Bell logo. His design was the last in the evolution of the Bell System’s logo, before the 1984 break up of the company. I was surprised, if not pleased, to see that there was, clinging to the side of the brick, leaving a fading trace of the past. I was not exactly pleased, because the logo’s successor fails to reach the original’s greatness.

The Ma Bell logo was strong, clear, and confident. (Look at the red check of the other logo, off balance, ready to tip over.) Bass designed a bell, for a company named after Alexander Graham Bell. He is credited for inventing the telephone, which rang. The logo was created back into the days of monopolies over start-ups, land lines over wireless, circuits over IP, a few indestructible phones styles over a multiple of unusable bricks, expensive long distance over universal access, clear voices over shouting through static on sidewalks, and 99.99% reliability over dropped signals. What governs the features we value, which are often mutually exclusive, in the evolution of something so pervasive as the phone?

I did a quick search for a little more history on the logo. Michael Bierut over at Design Observer, wrote a nice piece in 2005 about AT&T redesigning its logo, which they still use today. He gives the story behind Bass’ original design and his globe inspired logo for AT&T, after the 1984 break of the Bell System. By coincidence, he ended of the piece to commemorate the destruction of Pennsylvania Station forty-five years ago whose anniversary coincided with his Bass-AT&T posting. He said “graphic design, unlike architecture, leaves no footprint.” Perhaps he was wrong.

The shifts of the city, both graphic and architectural are natural. The images on a building’s facade are not quite removed as a snake’s shedding its skin, but decay and erode. An evaporating logo has a half-life, akin to a sweaty glass’ ring left on a coffee table, waited to the properly cleaned or covered with a stack of magazines.

Thanks to Frank who sent me this link to the Chicago rap group, Psikotic, who wrote a rap about the Economist, with lines like “the magazine that tells the world how it should be, cream of the crop since 1843.” They also rap about McDonalds and the Internet. Enjoy the awesomeness.

Image source: amazon.com

Blog is back, still not exactly right, but at least, the layout isn’t the default.

I went to hear Ed Lin read his new novel “This is a Bust” at the Asia Society. I got stuck at work and came a little late, in the middle of the introduction, which means I missed the photo op. The novel is about a Chinese American cop who works a beat in Chinatown in the 70s. The book is pure pulp genre crime fiction.

I bought a copy, but wished there was an audio book read by Lin. He did a good job reading, giving different voices to the various characters, which was unusual and fun. When I was getting my book signed I thought about telling him, he sounded like the voice actors on Cowboy Bebop, but chickened out. I’m not a big genre reader, but the setting is of interesting to me, because I’ve been visiting Chinatown for a long time, even if as an outsider.

The Q&A was so-so, as they usually are. But I did learn that he likes pulp fiction and punk rock. Great to hear him mention Hüsker Dü and the Dead Kennedys. But the highlight of the Q&A was when he recognized a MySpace friend in the audience, whom he had presumably never met in person before last night, and said, “oh are you [insert some name that starts with D]?”