On November 5th, I noted an important turning point in my media, among all the celebration of electing Barack Obama.

I didn’t watch any of the TV coverage on election night. I just had a few websites open to track reporting from different areas. I mostly stuck to the New York Times, that had the best interactive map, and the San Francisco Chronicle to get some West Coast reporting on things like Prop 8. I could also easily compare what states the sites were calling (it’s not always the same) and focus the races of course interest, Al Franken’s Senate race in Minnesota, for example.

It was interesting to note how the newspaper sites covered when TV programs called races, as their round about way to report results early without “really” reporting results early. But shortly after 11:00pm, I was alerted that Obama won, just like everything one else who were glued to their television sets.

Before 11:00 pm:

After 11:00 pm:

What did I miss from not having the TV on? Reporters, pundits, and anchors with often little meaningful to say as returns slowly are released. It was refreshing just to get the data. On the other hand, the decision also meant I had wait a whole day to learn about CNN’s Princess Leia Style Hologram.

I finally made it to the New York Art Book Fair after being out of town last year. I think I learned about the first one a couple of days after it ended, which is quite typical for me.  In any event, there was the high and low brow and everything in between.

Image source: The Thing

I met Will Rogen and Jonn Herschend from The Thing Quarterly, which sends its subscribers a piece of art every quarter. I had just heard about it a couple of weeks ago, when I was out in SF, where they are based. It’s not quite publishing, although it’s definitely a self-described periodical, and a bit more like those organic local food subscription services where they mail you a box of kale or carrots or melons once a month, except its art and of course its quarterly.

I was pleased to find out that they were super friendly, and we had a short, but interesting conversation, on publishing. When I asked them if their backgrounds was in publishing, I found it of note that they said they are artists. That answer is personally great to me because I’m really intrigued in publishers (if you want to call them that) from non-traditional backgrounds.  I finally got my tax stimulus check from the federal government, and a chunk of it may just go towards a subscription, especially because Jonathan Lethem is on the docket as an artist. Will and Jonn are in town participating in various art organizations in the city of the rest of the week.

Stuart and David of Dexter Sinister had a table, and it always fun to talk to them, especially about geeky things like the text editor Tex. I ended up buying something that was quasi-expensive and actually deserves an entire post of its own later.

Image source: An Atlas of Radical Cartography

At the table next to Dexter Sinister, I met Alexis Bhagat who co-edited “An Atlas of Radical Cartography” which is a collection of essay and maps.  Coincidentally, Brett introduced to me the collection when I was at UArts a few weeks ago, funny how things work out that way.  The maps touch everything from oil to surveillance to garbage production. He was fun to chat with as map have been on my mind lately.

J Morrison was selling silk-screened man purses for a suggested donation. He had young women helping him silk screen images on the spot, and everyone was wearing matching colored tee and shorts. His assistants made a bag to order, for a good birthday present, which was my next stop after the fair.